The Intruder (2004)

As a filmmaker, Claire Denis offers elliptical narrative experiences, introducing us to a few characters, observing their faces and their movements, and only gradually revealing the connections and histories between them. The Intruder (2004) is even more elliptical than her other films, complicating our understanding with the inclusion of dreams and recurring figures who may be more […]

Let The Sunshine In (2017)

I love director Claire Denis, but I always filed Let The Sunshine In (2017) within the “I’ll get around to it” category within her filmography. I think it’s really the fault of the English title and the Hair musical associations I had in my head from it (the French title I think translates more towards […]

Trouble Every Day (2001)

When it comes to Claire Denis, the word I think of is “elliptical.” The opening of Trouble Every Day (2001) begins with a couple kissing in a car at night, a couple who are not even characters in the film. We also see the Seine river at night, the water lapping under street light. A […]

White Material (2009)

The workers have reluctantly agreed to help. Five days at a coffee plantation as violent conflict happens. An unnamed African country. Rebel soldiers and the military fighting. The French colonialists have withdrawn, only Isabelle Huppert’s character stubbornly staying behind for a business that she married into. One more yield before they pack up and leave. […]

Bastards (2013)

Cascading rain in close-up against a building at night as moody synth from the Tindersticks plays over the soundtrack. The opening shot to Claire Denis’ film, Bastards (2013), hooked me in and visually established its neo-noir vibe. One of my favourite shots later in the film was of a woman, Chiara Mastroianni – seen from […]