Strange Colours (2017)

I watched director Alena Lodkina’s Strange Colours (2017) on SBS On Demand, a few days after I saw Ivan Sen’s Limbo in cinemas. While Limbo works in another recurring genre in Australian film – the crime genre – and there are clear differences in where they are shot, what they are looking at, particularly indigenous […]

Both Sides Of The Blade (2022)

Both Sides Of The Blade (2022) is a love triangle that unfolds like a floating inevitability, like something on rippling water, bobbing towards you slowly. Directed by Claire Denis and written by Christine Angot (based on her novel), the film focuses on Sara (Juliette Binoche), a radio journalist, who is married to Jean (Vincent Lindon), […]

Two Lovers (2008)

I’ve always liked James Gray as a director, though I was endeared to him even more by listening to him talk about his family and upbringing in a Director’s Guild interview podcast about Armageddon Time. In his filmography, Two Lovers (2008) feels underrepresented as it was a change from his previous run of New York […]

Classical Period (2018)

The main reason I watched Classical Period (2018) was that its running time was 60 minutes and it was available to stream on Mubi. After watching Classical Period, I grew to appreciate it more thinking about it, particularly after reading a few interviews with the director-writer Ted Fendt, a film projectionist who self-funds his movies, […]

Portrait Of A Young Girl At The End Of The 60s In Brussels (1994)

Shot for French TV during the nineties, Portrait Of A Young Girl At The End Of The 60s In Brussels (1994) is directed and written by Chantal Akerman, and feels semi-autobiographical. As the title indicates, Akerman sets the story in 1968 but isn’t too concerned about fidelity to the era; you can see CDs in […]