Do Not Expect Too Much From The End Of The World (2023)

“Where’s the director? … I have one word for you: emotion.” Do Not Expect Too Much From The End Of The World (2023) is the third film of Romanian director Radu Jude’s that I have seen and I love his approach and style. Taking inspiration from Jean-Luc Godard and others, Jadu makes essay-films that bring […]

Place Vendôme (1998)

Place Vendôme (1998) fits the bill for French neo-noir in that the key female characters are glamorous blondes while the men are all weathered looking mutts. The cinematography feels very 1990s “movie for adults” in the dark hues of the interiors, and its overall polished feeling, reminiscent of a Grisham or Le Carre adaption from […]

Le Navrie Night (1979)

When it comes to art cinema, and slow cinema, I often think of an ideal viewer that must exist who is 100% alert and awake, and intellectually keyed into the symbolism and poetics that might take place. But then again, why should I judge myself against an ideal viewer that doesn’t exist? If you fall […]

The Creatures (1966)

I had a cursory understanding of what The Creatures (1966), written and directed by Agnes Varda, was about. The film opens with a couple – Edgar (Michel Piccoli) and Mylene (Catherine Deneuve) – driving together, Mylene warning Edgar not to drive too fast, and upon that, they inevitably crash. What I was taken aback by […]

Variety (1983)

A young white woman sitting in a ticket booth for a porno theatre. The key image to Variety (1983) that I had in my head before watching it. New York city in its grimy, sleazy prime. “The old New York” is an idea that has been mythologised into nostalgia, often calcified (HBO’s The Deuce, for […]