C’mon C’mon (2021)

I’m a Mike Mills guy. I wasn’t so much into Thumbsucker, but I became a fan through his autobiographical-inflected indie dramas like Beginners (based on his father) and especially 20th Century Women (based on his mother). I’m completely aware that some will dismiss Mills’ humanistic writing and design approach (complete with elegantly designed montages and […]

Saint Maud (2019)

Saint Maud (2019) is a critically acclaimed contemporary horror movie – the feature film debut of British director Rose Glass – that didn’t get a cinema release in Perth, and is now available direct to digital. There’s a cliche now of A24 type modern horror movies that are more like psychological character studies that only […]

Uncut Gems (2019)

The morning after I watched Uncut Gems (2019) on Netflix (where it’s been released for international audiences), I felt like I had a hangover: agitated, restless, but also euphoric over having finally seen something I was so hyped for. When we first see jeweller and gambler Howard Ratner (Adam Sandler) in his shop at the […]

The Lighthouse (2019)

On the basis of two films, Robert Eggers is cementing himself as a horror auteur interested in myth, folklore and a kind of New England turn of the century American horror. The Lighthouse (2019) is his second film after his critically acclaimed The VVitch. It will be challenging for some viewers – it’s black and […]