Anaïs In Love (2021)

Anaïs In Love (2021) played at festivals, if I remember correctly like the French Film Festival, and feels like it would have been overshadowed by The Worst Person In The World coming out in the same year. There’s a resemblance between the two leads – lithe brunette white women – and they’re both chaotic presences […]

In Front Of Your Face (2021)

I could imagine the further you delve into prolific Korean director Hong Sang-soo, a feeling of sameness might set in, or more just seeing the recurring themes, structures and approaches more clearer. A week between seeing Grass and In Front Of Your Face (2021), both currently streaming on SBS On Demand with half a dozen […]

Both Sides Of The Blade (2022)

Both Sides Of The Blade (2022) is a love triangle that unfolds like a floating inevitability, like something on rippling water, bobbing towards you slowly. Directed by Claire Denis and written by Christine Angot (based on her novel), the film focuses on Sara (Juliette Binoche), a radio journalist, who is married to Jean (Vincent Lindon), […]

Beckett (2021)

I was curious about Beckett (2021) and was compelled to finally watch it on Netflix thanks to a recommendation on Letterboxd (shout-out to William Gibson’s Acronym’s Collection) and in honour of composer Riyuichi Sakamoto’s recent passing as he scored the movie with moody ambient textures and a jazzy tumble for chase scenes. Directed by Italian […]

Return To Seoul (2022)

A character study whose style mirrors the push-and-pull of its protagonist, Return To Seoul (2022) follows a young French woman, Freddie (Park Ji-Min), who was adopted from South Korea. Visiting the home of her birth parents on a spur-of-the-moment deal, she also decides to track them down, and is completely unprepared for the emotional consequences. […]