Please Baby Please (2022)

Director-writer Amanda Kramer’s Please Baby Please (2022) reminded me of discovering Johnny Suede on SBS when I was young. The discovery of an arthouse American indie cinema morphing together the past and the present, a receptacle for a filmmaker’s fetishes. Empty alleys or street facades. Apartment interiors on a studio set. Creating a whole situation to let make-up, hair, […]

Matt And Mara (2024)

Mumblecore gets a bad rap. I assume it’s the name, which most of the filmmakers lumped into that sub-genre didn’t care for. And don’t get me wrong, some of those movies are annoying and bad. Friends and I who got into those films were mainly responding to Andrew Bujalski’s first two films. Cassavetes was an […]

Benediction (2021)

Benediction (2021) was British director Terence Davies’ final film before he died in 2023. Experiencing it after recently seeing his first film, Distant Voices, Still Lives, was very interesting with their intersections. Distant Voices, Still Lives is an autobiography by Davies of his family growing up in working class Liverpool. In contrast, Benediction is a […]

Chime (2024)

After I watched Chime (2024) at home, I started washing up dishes in the kitchen and felt a rising pressure in my head. At 45 minutes length and directed by Kiyoshi Kurosawa, Chime builds tension with no release. Obviously its short length might preclude a fuller narrative experience, more time given to understand what’s going […]

Red Rooms (2023)

We love an inscrutable protagonist, don’t we, folks? Red Rooms (2023) offers up a compelling protagonist in Kelly-Anne played excellently by Juliette Gariép with eerie stillness. We learn that Kelly-Anne is a model, is addicted to playing online poker, and is first witnessed sleeping in the street to attend the trial of Ludovic Chevalier, charged […]