License To Live (1998)

There’s a shot in License To Live (1998), directed by Kiyoshi Kurosawa, where the main character’s father sits in a chair at the foot of his bed. Cast in shadows, the father is telling his son that he’s leaving after their brief reunion, and he resembles a ghost drained of colour. Kurosawa is best known […]

The Decline Of Western Civilisation III (1998)

Scene report: crust-punks in the 1990s. I dragged my feet watching the third entry into Penelope Spheeris’ Decline of Western Civilisation trilogy. The second has the blockbuster marquee appeal with its Metal Years bone-head hilarity, and the first is a witness to the LA punk scene as it happens. In the back half of the […]

Kids Return (1996)

Kids Return (1996) is a title I remember because it would always be programmed on SBS. I was aware of Takeshi Kitano as a teenager, mainly when Fireworks was released and received praise from critics like Margaret and David on The Movie Show. There’s a power and beauty to Fireworks with the subplot of the […]

Boiling Point (1990)

Takeshi Kitano treats violence with the same structural impact as building a gag in comedy. Boiling Point (1990) veers between violence as a joke – a call back, or a punchline, like when a young kid refuses a helmet on his first motorcycle, and then cut to him sitting stunned with a bloody face – […]

High Heels (1991)

High Heels (1991) is like Pedro Almodóvar inviting the audience to a boutique shop to peruse and sample. Melodrama is the purpose for being there, but the pleasure lies in admiring and marvelling at all the wares: the wigs, the hairstyles, the dresses, the shoes, the gloves, the earrings. High Heels has a striking colour […]