Prime Cut (1972)

At under 90 minutes running time, Prime Cut (1972) is efficient and taut like its mob enforcer protagonist Nick (Lee Marvin, another great role as a measured tough). Yet there’s also an original streak of perverse humour throughout, more than likely helped by director Michael Ritchie (who’d go on to specialise further in comedy with classics like The […]

Border (2018)

Winner of Un Certain Regard at the 2018 Cannes Film Festival, the Swedish film Border (2018; Gräns) might also take the crown for weirdest sex scene in a movie. Directed by Ali Abbasi and based on a story written by John Ajvide Lindqvist, the author of Let The Right One In, which gives an indication […]

Night And The City (1950)

Directed by Jules Dassin and shot on location in London, Night And The City (1950) has the iconic look of the film noir genre down pat. From the chiaroscuro lighting of faces in close up to the placement of a suited individual against a dark cityscape, Max Greene’s cinematography is brilliant. The film is also […]

Color Out Of Space (2019)

The final film I saw at this year’s MonsterFest was Color Out Of Space (2019), which I was very keen to see as a new adaptation of the HP Lovecraft story by cult director Richard Stanley (Hardware), his first film in many years after being booted off the 1996 flop, Island Of Dr Moreau. More […]

Bliss (2019)

Joe Begos had two films as a director in this year’s MonsterFest and Bliss (2019) was made before VFW on a low budget, shot on 16mm, and exorcising the director’s own creative funk through the horror genre. Focusing on a painter (Dora Madison Burge, from Friday Night Lights) in a career slump who decides to […]