Eileen (2023)

Eileen (2023) is a character study. It’s also about stretching out the tension. The question keeps occurring: where is all this going? It’s the mid-1960s, it’s wintery and grey Massachusetts. Eileen works as a secretary in a prison. She looks after an alcoholic ex-cop father. She has daydreams about sex, or about killing her father. As […]

City On Fire (1987)

Saxophone is the weapon of choice for Teddy Robin’s score to City On Fire (1987). I couldn’t help but think of the David Sanborn sax sound to the Lethal Weapon soundtrack. What I love about Hong Kong cinema in the 1980s (and into the 1990s) is that circuit loop, of taking on influences from western […]

Doppelganger (2003)

Kiyoshi Kurosawa’s The Nutty Professor (Jerry Lewis version). Collaborating with his favourite leading man, Koji Yakusho, writer-director Kurosawa opens Doppelganger (2003) in the existential dread familiar from something like Cure. A scientist, who is working on robotic wheelchair that would help disabled people through concentration and muscular impulses, sees himself in public, a person who […]

The Empty Beach (1985)

Bogie in Bondi. The Empty Beach (1985) is a neo-noir shot in Sydney during the mid-1980s, and based on a novel by Peter Corris, one of a series of books devoted to his detective character, Cliff Hardy. A commercial failure at the Australian box office, this is a boilerplate mystery. But what was satisfying to […]

Bloody Moon (1981)

Must a film be coherent? Eurohorror has so much to teach us. The American slasher genre filtered through Spanish director Jess Franco in gun-for-hire mode. Accentuated by watching the English dub where the voiceover artists are rushing through dialogue at a speedy clip, another layer to what is already alien onscreen behaviour. A group of […]