Le Navrie Night (1979)

When it comes to art cinema, and slow cinema, I often think of an ideal viewer that must exist who is 100% alert and awake, and intellectually keyed into the symbolism and poetics that might take place. But then again, why should I judge myself against an ideal viewer that doesn’t exist? If you fall […]

Goodbye, Dragon Inn (2003)

In Goodbye, Dragon Inn (2003), there’s an obvious contrast between the 1960s wuxia film being screened, Dragon Inn, and the dilapidated cinema where its being shown; the faded film stock of adventure and action compared to the mundane stillness of empty cinema seats and rain dripping from the ceiling. Within Taiwanese director Tsai Ming-liang’s slow […]

Je Tu Il Elle (1974)

One haunting image from the film, Je Tu Il Elle (1974; I You He She), is when Julie, the young woman played by the director, Chantal Akerman, has shifted furniture out of her ground floor apartment, and has moved her bed against the wall. Sitting against an alcove in the corner of the room, near […]

Radio On (1979)

I’ve never had a strong urge to travel. I’m happy to, when we could, but never felt that strong wanderlust. Over the past two years though, I’ve fallen more and more in love with movies that travel. A certain type of arthouse vibe that’s not about sight seeing or having a good time. Usually it’s […]

Cemetery Of Splendour (2015)

What I most want from an art movie is to be taken to somewhere else. Another part of the world, yes, but also taken to another way of seeing. Cemetery Of Splendour (2015; Rak Ti Khon Kaen) is only my second film that I’ve watched from Thai auteur Apichatpong Weerasethakul (after Uncle Boonmee Who Can […]