Liebestraum (1991)

Liebestraum (1991) takes its title from the Franz Liszt composition; we hear a swing-era version playing on a turntable when a couple are murdered during their after-hours affair. The titular piece of music is one fetish object in director-writer Mike Figgis’ neo-noir narrative, but it is supplanted another fetish object – the building itself. A […]

Bastards (2013)

Cascading rain in close-up against a building at night as moody synth from the Tindersticks plays over the soundtrack. The opening shot to Claire Denis’ film, Bastards (2013), hooked me in and visually established its neo-noir vibe. One of my favourite shots later in the film was of a woman, Chiara Mastroianni – seen from […]

Special Effects (1984)

What I enjoy about Larry Cohen is how he approaches things as a writer: the story’s gotta have a hook! Released in the same year as Brian De Palma’s Body Double, Cohen’s film Special Effects (1984) is a comparable twist on a Hitchcockian thriller. The hook: What if a movie director was a murderer? (A […]

The Yards (2000)

The Yards (2000) has been one of those movies that has always sat there on my “Must watch” lists, and I’ve never felt strongly compelled to watch it, thinking to myself, “Yeah, yeah, I’ll get around to it.” After seeing Armageddon Time and watching Two Lovers for the first time, I was more inclined to […]

Round About Midnight (1999)

Hiroyuki Sanada is a recognisable Japanese actor from Hollywood productions like The Last Samurai and John Wick 4, always giving a sense of dignity and substance to even mainstream action cinema clearly beneath his talents (Bullet Train, Mortal Kombat remake). In previous decades, there were leading roles in Japanese cinemas throughout the 1980s onwards. Round […]