The Kid Detective (2020)

Tone is such a tricky thing to get it right, particularly when you are juggling tones while blurring genres. The Kid Detective (2020) begins with a goofy premise – a kid detective (like Encyclopaedia Brown) who solved neighbourhood crimes, now a washed up adult still solving “cases” – and eventually becomes one of my favourite […]

Last Man Standing (1996)

Last Man Standing (1996), Walter Hill’s remake of Yojimbo (already remade as A Fistful Of Dollars), is almost mythical yet reductively basic. Set in a ghost town named Jericho that nobody else lives in except for two gangs fighting over the same turf, a state of purgatory only destabilised by the arrival of a gun-for-hire […]

Mona Lisa (1986)

Bob Hoskins searching for a mystery woman through peep shows and seedy clubs to the sounds of Genesis’ ‘In Too Deep’ is such an iconic 1980s neo-noir moment. Mona Lisa (1986) is directed by Neil Jordan and earned accolades and awards for Hoskins’ performance as George, a small time crook released from prison after a […]

The Last Of Sheila (1973)

When Rian Johnson was doing the press rounds for Knives Out and discussing “Whodunnit” influences, one title he would offer, which I’d never even heard of before, was The Last Of Sheila (1973). It has the distinction of being written by actor Anthony Perkins and musical composer Stephen Sondheim, and apparently based on Sondheim’s love […]

The Driver (1978)

The first time I watched Walter Hill’s The Driver (1978), I couldn’t get into Ryan O’Neal’s performance as the lead. I felt he was too milquetoast or lightweight to play the mysterious professional wheelman, available for hire to crews for heists and robberies. I kept thinking about Hill’s first choice, Steve McQueen, and how much […]