Mike’s Murder (1984)

We don’t see the murder. Director and writer James Bridges apparently filmed one, and it was part of the negative test screenings that forced him to re-edit and structurally rearrange Mike’s Murder (1984) before its release. The original intention with Mike’s Murder was a film that was subjective with dream sequences and flashbacks; what was […]

Chime (2024)

After I watched Chime (2024) at home, I started washing up dishes in the kitchen and felt a rising pressure in my head. At 45 minutes length and directed by Kiyoshi Kurosawa, Chime builds tension with no release. Obviously its short length might preclude a fuller narrative experience, more time given to understand what’s going […]

Black Coal, Thin Ice (2014)

I really loved Chinese director Diao Yinan’s neo-noir The Wild Goose Lake. I’ve seen it twice now, and it is definitely style over substance, in that I remember most fondly the images and sequences rather than the story itself. Purple neon hotel lighting engulfing a room where three thieves talk shop. A motorbike at night, […]

The Old Dark House (1932)

All I knew about The Old Dark House (1932) was its director, James Whale, and star Boris Karloff, were together again after the success of Frankenstein. Based on a novel by J.B. Priestley, the story concerns two parties of debonair British people – one group is a married couple (Raymond Massey and Gloria Stuart – […]

Charisma (1999)

1999 is often discussed as a great year in cinema, and key to that is because it was 1999. All the celebrated and successful films of that year tend to share themes about the destruction of the old, the beginning of the new. Or are vibrating on end of the century, millennium anxieties – fear […]