Tale Of Cinema (2005)

Tale Of Cinema (2005) is the second film I’ve seen by the prolific South Korean director Hong Sang-soo and apparently this is the first one where he started using zooms? A scene will be playing out in a master shot and then the camera will zoom in, resetting the frame, almost haphazardly and amateurish, but […]

Goodbye, Dragon Inn (2003)

In Goodbye, Dragon Inn (2003), there’s an obvious contrast between the 1960s wuxia film being screened, Dragon Inn, and the dilapidated cinema where its being shown; the faded film stock of adventure and action compared to the mundane stillness of empty cinema seats and rain dripping from the ceiling. Within Taiwanese director Tsai Ming-liang’s slow […]

The Beaches Of Agnes (2008)

Every time I watch an Agnes Varda film for the first time, I am always left with the feeling: why am I not watching more Agnes Varda? Or just all the time? As an autobiographical documentary, The Beaches Of Agnes (2008; Les plages d’Agnès) also works as a primer for the French filmmaker’s career, with […]

Sibyl (2019)

I think I had the mistaken impression that Sibyl (2019) was an erotic thriller (the first act initially made me think of Francois Ozon’s Double Lover), which it isn’t. But there’s lots of intrigue and tension throughout, a psychological character study that is about a few things at once: sexual desire, substance addiction, creative process, […]

Maps To The Stars (2014)

“Please. No film noir questions.” Maps To The Stars (2014) fits into the sub-genre of Hollywood noir or neo-noir rather, a descendant of Sunset Boulevard’s scathing look at the film industry, wrapped up in murder, gothic imagery, grotesqueries, and sardonic comedy. David Cronenberg’s film, the first he shot in Los Angeles, and working with a […]