Let The Corpses Tan (2017)

A leather glove tightened. Sweat dripping down a lined face. The snap of a firearm being loaded. The glow emanating from a gold bar. Let The Corpses Tan (2017; Laissez bronzer les cadavres) luxuriates in these details, fetishing them in close up and heightened sound design. As filmmakers, Helene Cattet and Bruno Forzani have a […]

Demonlover (2002)

demonlover (2002) is like later period William Gibson: it’s not about putting on the goggles and jacking into the cyberspace, but more about corporate espionage. I love French director Olivier Assayas in this mode – post-Irma Vep genre studies of women at work and under duress (see also: Boarding Gate and Personal Shopper) in a […]

Alphaville (1965)

My enduring memory of Alphaville (1965) was the shot near the end of a Parisian freeway at night, the collection of lights in the darkness, a simple and low budget way of implying a future space. To travel to another galaxy as mundane as driving down a highway, yet still otherworldly in the grainy black […]

The Beaches Of Agnes (2008)

Every time I watch an Agnes Varda film for the first time, I am always left with the feeling: why am I not watching more Agnes Varda? Or just all the time? As an autobiographical documentary, The Beaches Of Agnes (2008; Les plages d’Agnès) also works as a primer for the French filmmaker’s career, with […]

Sibyl (2019)

I think I had the mistaken impression that Sibyl (2019) was an erotic thriller (the first act initially made me think of Francois Ozon’s Double Lover), which it isn’t. But there’s lots of intrigue and tension throughout, a psychological character study that is about a few things at once: sexual desire, substance addiction, creative process, […]