Revolver (2005)

I like Guy Ritchie movies the most when they get pretentious. Like, I’m more keen to rewatch something like Wrath Of Man rather than The Gentlemen. And the zenith (so far) of Ritchie’s pretensions has to be Revolver (2005), his return to the gangster genre after the unsuccessful remake of Swept Away. I’ve always been […]

Documenteur (1981)

Documenteur (1981) was filmed by French director Agnes Varda in Los Angeles while she was separated from husband Jacques Demy and it is subtitled “An Emotion Picture”. Like some of Varda’s other work, it mixes together fiction and reality, employing a documentary approach towards constructed elements that are no doubt reflecting what she was going […]

Je Tu Il Elle (1974)

One haunting image from the film, Je Tu Il Elle (1974; I You He She), is when Julie, the young woman played by the director, Chantal Akerman, has shifted furniture out of her ground floor apartment, and has moved her bed against the wall. Sitting against an alcove in the corner of the room, near […]

The Headless Woman (2008)

I always loved that in their Criterion Closet YouTube video, Lucrecia Martel selected Carnival Of Souls and said something to the effect of, that it was enough to make one film if it was as great as that. Only after I had watched Martel’s film, The Headless Woman (2008), did I see its connection to […]

Demonlover (2002)

demonlover (2002) is like later period William Gibson: it’s not about putting on the goggles and jacking into the cyberspace, but more about corporate espionage. I love French director Olivier Assayas in this mode – post-Irma Vep genre studies of women at work and under duress (see also: Boarding Gate and Personal Shopper) in a […]