First Name: Carmen (1984)

Jean-Luc Godard in the 1980s is terrain I’ve always wanted to investigate. The French auteur coming back to narrative movies after the 1970s, retaining his experimentation and politics, and constantly assessed by reference to his fertile 1960s heyday aka “the fun stuff.” First Name: Carmen (1984) was the first from this 80s period that I […]

Last Year At Marienbad (1961)

Guests in suits and evening dresses. A palace repurposed as a hotel. Refinement that feels like another time, another place. The camera tracks through the hallways, taking in the space, the high ceilings, the ornate interior decoration. In the hotel, people often stand still, pausing as if waiting for direction. Like actors in the small […]

Merry-Go-Round (1981)

“… generally considered a failure – but what a failure it is!” A quote from the Mubi “our take” description accompanying Jacques Rivette’s Merry-Go-Round (1981), and if you do any cursory reading around the film’s making you can understand why even the director himself considered it a “failure”. The third of four planned movies he […]

On The Beach At Night Alone (2017)

A beach is always a contemplative site in cinema, and South Korean director Hong Sang-soo seems to return to it as a space for his characters. On The Beach At Night Alone (2017) features two beaches – one in Hamburg, the other in South Korea – and neither takes place in the pitch-black of night […]

In Front Of Your Face (2021)

I could imagine the further you delve into prolific Korean director Hong Sang-soo, a feeling of sameness might set in, or more just seeing the recurring themes, structures and approaches more clearer. A week between seeing Grass and In Front Of Your Face (2021), both currently streaming on SBS On Demand with half a dozen […]