You, The Living (2007)

My first Roy Andersson movie was A Pigeon Sat On A Branch Reflecting On Existence, which I loved, though when I reflect upon it, I can think of certain moments and scenes but not the experience as a whole. Maybe that’s because of Andersson’s particular style, his movies consist of surreal, deadpan tableaus, one after […]

The Meetings Of Anna (1978)

My first Chantal Akerman. The illustrated poster, and the sound of the plot convinced me. The Meetings Of Anna (1978) or sounds better in the original French title, Les Rendez-vous d’Anna, follows a film director named Anna (Aurore Clément – who would later star in Paris, Texas), a possible alter-ego for director Akerman herself, as […]

The Ninth Configuration (1980)

A castle surrounded by a forrest that is swamped by a slowly creeping fog. A dream of an astronaut on the moon looking away from the American flag to see Jesus on the cross. Stacy Keach’s face, serious and seething, eyes bulging red with rage. A few of the key images from William Peter Blatty’s […]

The Magician (1958)

I was inspired to watch Ingmar Bergman’s The Magician (1958; Ansiktet) by Tracy Letts and Carrie Coon including it in an article for The AV Club where they planned a 24 hour film festival line up. When I read about Bergman, this film doesn’t come up as much as a title and it feels like […]

La Notte (1961)

La Notte (1961; aka The Night) is the middle of Italian director Michelangelo Antonioni’s trilogy including L’Aventura and L’Eclisse, and the one I’d always wanted to see. Antonioni’s slow, dispassionate style is intentionally alienating and difficult to wrestle with; I completely understand those who get bored by his work. Yet I do find something of […]