Point Blank (1967)

Lee Marvin in a series of dapper suits with a revolver in hand is enough for a 1960s neo-noir like Point Blank (1967) but the actor’s collaboration with young British director John Boorman offered them both a chance to push the crime genre into pop art experimentation. Revisiting Point Blank, it feels like Steven Soderbergh […]

Bring Me The Head Of Alfredo Garcia (1974)

That craggy, beaten face is first seen hiding behind a big pair of dark shades, a wide smile accentuated by a moustache, playing piano in a dive bar, looking to make visitors smile and sing along in order to fill that bowl with cash tips. While apparently Bring Me The Head Of Alfredo Garcia (1974) […]

Personal Shopper (2014)

Irma Vep might be director Olivier Assayas’ high-point and the first film I saw of his back in the late 1990s. I’m a fan of Assayas when he also skirts with the thriller genre, the films of his that involve tracking characters through geo-political espionage such as Demonlover, Boarding Gate (one of my faves) and […]

Cemetery Of Splendour (2015)

What I most want from an art movie is to be taken to somewhere else. Another part of the world, yes, but also taken to another way of seeing. Cemetery Of Splendour (2015; Rak Ti Khon Kaen) is only my second film that I’ve watched from Thai auteur Apichatpong Weerasethakul (after Uncle Boonmee Who Can […]

News From Home (1977)

After seeing The Meetings Of Anna for the first time, and really loving it, I wanted to explore more of the filmography of Belgian director Chantal Akerman. News From Home (1977) is a critically acclaimed avant-garde documentary that she directed that I decided to take the plunge on. It’s basically a series of long takes, […]