Please Baby Please (2022)

Director-writer Amanda Kramer’s Please Baby Please (2022) reminded me of discovering Johnny Suede on SBS when I was young. The discovery of an arthouse American indie cinema morphing together the past and the present, a receptacle for a filmmaker’s fetishes. Empty alleys or street facades. Apartment interiors on a studio set. Creating a whole situation to let make-up, hair, […]

Trouble Every Day (2001)

When it comes to Claire Denis, the word I think of is “elliptical.” The opening of Trouble Every Day (2001) begins with a couple kissing in a car at night, a couple who are not even characters in the film. We also see the Seine river at night, the water lapping under street light. A […]

Variety (1983)

A young white woman sitting in a ticket booth for a porno theatre. The key image to Variety (1983) that I had in my head before watching it. New York city in its grimy, sleazy prime. “The old New York” is an idea that has been mythologised into nostalgia, often calcified (HBO’s The Deuce, for […]

First Name: Carmen (1984)

Jean-Luc Godard in the 1980s is terrain I’ve always wanted to investigate. The French auteur coming back to narrative movies after the 1970s, retaining his experimentation and politics, and constantly assessed by reference to his fertile 1960s heyday aka “the fun stuff.” First Name: Carmen (1984) was the first from this 80s period that I […]

The Lair Of The White Worm (1988)

Ever since I read about a scout’s unfortunate end – his own ‘end’ separated in a bathtub by the fangs of Lady Sylvia Marsh (Amanda Donohoe) – in a copy of Empire magazine as a wee slip of lad (I think as part of a weird section on unfortunate ends to male genitalia in the […]