The Fifth Cord (1971)

The Fifth Cord (1971) is a visually striking giallo thriller from Italy. While there’s plenty of fashionable outfits and stylish interior decorating, there’s an emphasis on figures placed against colossal pieces of architecture, or the use of shadows against lit windows and lamplight reflected by glass. During one sequence where petals drift through the frame […]

Tale Of Cinema (2005)

Tale Of Cinema (2005) is the second film I’ve seen by the prolific South Korean director Hong Sang-soo and apparently this is the first one where he started using zooms? A scene will be playing out in a master shot and then the camera will zoom in, resetting the frame, almost haphazardly and amateurish, but […]

Sympathy For Mr. Vengeance (2002)

Something about Song Kang-ho’s face – as a presence he emits an innate likeability and charm. The guy has range, of course, and it’s always compelling when a likeable film presence plays someone whose actions are considerably unlikeable. Sympathy For Mr. Vengeance (2002) is the first of the unofficial “Vengeance” trilogy from South Korean director […]

Late Spring (1949)

Ozu – Japanese filmmaker Yasujiro Ozu – is a weighty name in arthouse auteur circles, often referenced by Paul Schrader, Mike Leigh, Jim Jarmusch, Claire Denis, Koganda, amongst others. A weighty name even though the reputation of his films is that they are quiet, patient, and delicate. I was intending to begin 2023 on a […]

Return To Seoul (2022)

A character study whose style mirrors the push-and-pull of its protagonist, Return To Seoul (2022) follows a young French woman, Freddie (Park Ji-Min), who was adopted from South Korea. Visiting the home of her birth parents on a spur-of-the-moment deal, she also decides to track them down, and is completely unprepared for the emotional consequences. […]