X: The Man With The X-Ray Eyes (1963)

You’ve gotta respect a medical scientist who lights a cigarette with a bunson burner. I remember one of my mother’s old film books featuring a black-and-white still from X: The Man With The X-Ray Eyes (1963) depicting Don Rickles pulling at Ray Milland’s arm – Milland wearing dark shades – and Rickles bearing a big smile. […]

Serpent’s Path (1998)

The point of view shot of a car driving down inner city roads; there’s an emptiness to the streets. In the car, two men are on a mission of revenge, Nijima (Sho Aikawa) and Miyashita (Teruyuki Kagawa). Miyadhita’s child has been molested and murdered. They know the culprit. They have a soundproofed warehouse. Revenge will […]

Fruit Of Paradise (1970)

When it comes to the avant garde as long as it looks good, I don’t care if it’s incomprehensible. Not that I really think Czech director Věra Chytilová’s Fruit Of Paradise (1970) is incomprehensible. I have seen Chytilová’s most famous film, Daisies, twice in my life and enjoyed it. In the first ten minutes of […]

Tokyo Sonata (2008)

I watched Tokyo Sonata (2008) after Perfect Days, which made for a nice Koji Yakusho double bill (though he only plays a supporting role in Tokyo Sonata). There was also another moment of connection. While I found the upscale public toilets that Yakusho’s character cleans in Perfect Days almost too pristine, one of the main […]

Claire’s Camera (2017)

I think it was Gene Siskel who determined a movie’s quality by the following dictum: Is this film more interesting than a documentary of the same actors having lunch? The films of Hong Sang-soo sometimes feel like you’re just watching a documentary actors sitting around and eating, though a key difference in the Sang-soo world […]