License To Live (1998)

There’s a shot in License To Live (1998), directed by Kiyoshi Kurosawa, where the main character’s father sits in a chair at the foot of his bed. Cast in shadows, the father is telling his son that he’s leaving after their brief reunion, and he resembles a ghost drained of colour. Kurosawa is best known […]

Winter Kills (1979)

Winter Kills (1979) is the absurdist extension of the conspiracy thriller in vogue during the 1970s. Imagine The Parallax View, a riff on imagined counter narratives to the official record of the JFK assassination, but exaggerated with a strange comedy, not quite spoof or parody. Each scene in Winter Kills is eventually marked by a […]

Please Baby Please (2022)

Director-writer Amanda Kramer’s Please Baby Please (2022) reminded me of discovering Johnny Suede on SBS when I was young. The discovery of an arthouse American indie cinema morphing together the past and the present, a receptacle for a filmmaker’s fetishes. Empty alleys or street facades. Apartment interiors on a studio set. Creating a whole situation to let make-up, hair, […]

Sparrow (2008)

Movies in love with the movies. Hong Kong director Johnnie To began making Sparrow (2008) over three years in between other projects, most of them crime movies about cops and/or gangsters like Election and Exiled. There’s an element where it feels like Sparrow was another lane to escape to, and even though it is still […]

Matt And Mara (2024)

Mumblecore gets a bad rap. I assume it’s the name, which most of the filmmakers lumped into that sub-genre didn’t care for. And don’t get me wrong, some of those movies are annoying and bad. Friends and I who got into those films were mainly responding to Andrew Bujalski’s first two films. Cassavetes was an […]