The Late Show (1977)

Not to be confused with either David Letterman or The D-Generation, The Late Show (1977) is another entry in the seventies era’s love of film noir. Produced by Robert Altman, director-writer Robert Benton goes for a different take rather than Altman’s own deconstructive The Long Goodbye. There’s more of a classic witty vibe of detective […]

Go Go Tales (2007)

Abel Ferrara makes a comedy, Go Go Tales (2007), which is set in a go-go joint strip club, a project he’d always wanted to make, describing it as “Cheers meets The Killing Of A Chinese Bookie.” Much like Cassavettes’ film, Go Go Tales sees the strip club as a metaphor for filmmaking, for creative expression […]

Uncle Yanco (1967)

Thank you to Mubi’s ‘Voila Varda’ segment, which sadly expired on their Library feature, and to Lyndon Blue for recommending Uncle Yanco (1967), a short film that Agnes Varda made while she was in San Francisco (while her husband Jacques Demy was making Model Shop). It’s basically a colourful, warm tribute to Agnes connecting with […]

After Hours (1985)

During the mid-1980s, director Martin Scorsese’s career was stuck after the lack of box office success for The King Of Comedy and his frustration trying to get The Last Temptation Of Christ financed by a major studio. Connecting with an independent production by actor Griffin Dunne and Amy Robinson (who acted in Mean Streets), they […]

The Long Goodbye (1973)

American cinema in the 1970s had an interest in reviving older genres, and film noir was a great way of expressing society’s disillusionment and paranoia. Casting the hangdog, bemused charm of Elliott Gould as the classic detective character of Philip Marlowe in The Long Goodbye (1973) must have seemed like a joke to fans of […]