Siberia (2020)

I’ve recently been following up the work of director Abel Ferrara and catching up on the films I haven’t seen (Mary, Driller Killer, Welcome To New York, Fear City). When Revelation Film Festival announced its online festival, COUCHED, which ran during July this year, and that one of its selected films was Siberia (2020), one […]

Cold War (2018)

Beautifully shot and composed in black and white by cinematographer Lukasz Zal, director Pawel Pawlikowski’s Cold War (2018; Zimna wojna) is an ode to a love that endures over decades despite great suffering. Wiktor (Tomasz Kot) meets Zula (Joanna Kulig) while both working for a state-sponsored music troupe that travels throughout post-war Poland. Their attraction […]

The Doom Generation (1995)

I remember The Doom Generation (1995) was released into cinemas when I was a teenager, as a hip US indie – maybe a bit on the back of Pulp Fiction and the similarity of Rose McGowan’s Louise Brooks bob/overall look to Uma Thurman. I also recall Roger Ebert – whose reviews I read back then […]

Exotica (1994)

Atom Egoyan’s early work was a regular fixture on SBS Saturday Cult Movie night and him, alongside Hal Hartley, defined a certain indie cinema aesthetic pre-Tarantino. I remember Egoyan’s break-out arthouse hit Exotica (1994) being advertised as an erotic thriller, posters and video boxes using the imagery of Mia Kirshner’s character dancing in a school […]

Husbands (1970)

Even as a fan of John Cassavetes movies, I completely understand how they can be off-putting. It’s intentional, part of the auteur’s legacy, with characters barking at each other, swinging for the fences in the direction of truth but also heightened into broad acting moves. I loved the way filmmaker Andrew Bujalski wrote about Husbands […]