Faces (1968)

Carousing is one word I’d used to describe the events in Faces (1968), a key John Cassavetes film I’d always be meaning to see (ever since Scorsese referenced it in his Personal Journey Through American Cinema docu-series). Self-financed from acting jobs for other movies, and shot around his own house, Cassavetes explores marriages, love and […]

Orpheus (1950)

I knew little of Jean Cocteau (what a cultural barbarian I am!), mainly that he was a poet and an artist, and I’d always heard about his version of Beauty And The Beast with Jean Marais. When Mubi had Cocteau’s Orpheus (1950; aka Orphee) in their library as part of their French Cinema spotlight, also […]

Castle Keep (1969)

While the posters might make Castle Keep (1969) look like a World War II action movie, it’s actually a very strange, oddball experience. Right from the opening sequence where a jeep of tired soldiers travelling through a forest is cross-cut in the editing with two stately people – a Count (Jean-Pierre Aumont) and a Countess […]

La Notte (1961)

La Notte (1961; aka The Night) is the middle of Italian director Michelangelo Antonioni’s trilogy including L’Aventura and L’Eclisse, and the one I’d always wanted to see. Antonioni’s slow, dispassionate style is intentionally alienating and difficult to wrestle with; I completely understand those who get bored by his work. Yet I do find something of […]

Lux Aeterna (2019)

I really loved Gaspar Noe’s Climax, a movie I watched on NYE 2018 and clicked with me more than Noe’s previous provocations like Irreversible or Enter The Void. His most recent production is a short art film, Lux Aeterna (2019), was produced by fashion line Saint Laurent, which exists I guess as corporate synergy to […]