Two Lovers (2008)

I’ve always liked James Gray as a director, though I was endeared to him even more by listening to him talk about his family and upbringing in a Director’s Guild interview podcast about Armageddon Time. In his filmography, Two Lovers (2008) feels underrepresented as it was a change from his previous run of New York […]

Outside Noise (2021)

Another hour, another Ted Fendt film viewed on Mubi. Outside Noise (2021) was more accessible than the previous Fendt film I watched, Classical Period, and this film reminded me of other indie hang-out movies like Girlfriends or Funny Ha Ha. The scene that reoccurs throughout is one character asking another, “Shall we go for a […]

Classical Period (2018)

The main reason I watched Classical Period (2018) was that its running time was 60 minutes and it was available to stream on Mubi. After watching Classical Period, I grew to appreciate it more thinking about it, particularly after reading a few interviews with the director-writer Ted Fendt, a film projectionist who self-funds his movies, […]

Portrait Of A Young Girl At The End Of The 60s In Brussels (1994)

Shot for French TV during the nineties, Portrait Of A Young Girl At The End Of The 60s In Brussels (1994) is directed and written by Chantal Akerman, and feels semi-autobiographical. As the title indicates, Akerman sets the story in 1968 but isn’t too concerned about fidelity to the era; you can see CDs in […]

Late Spring (1949)

Ozu – Japanese filmmaker Yasujiro Ozu – is a weighty name in arthouse auteur circles, often referenced by Paul Schrader, Mike Leigh, Jim Jarmusch, Claire Denis, Koganda, amongst others. A weighty name even though the reputation of his films is that they are quiet, patient, and delicate. I was intending to begin 2023 on a […]