Beckett (2021)

I was curious about Beckett (2021) and was compelled to finally watch it on Netflix thanks to a recommendation on Letterboxd (shout-out to William Gibson’s Acronym’s Collection) and in honour of composer Riyuichi Sakamoto’s recent passing as he scored the movie with moody ambient textures and a jazzy tumble for chase scenes. Directed by Italian […]

Outside Noise (2021)

Another hour, another Ted Fendt film viewed on Mubi. Outside Noise (2021) was more accessible than the previous Fendt film I watched, Classical Period, and this film reminded me of other indie hang-out movies like Girlfriends or Funny Ha Ha. The scene that reoccurs throughout is one character asking another, “Shall we go for a […]

Return To Seoul (2022)

A character study whose style mirrors the push-and-pull of its protagonist, Return To Seoul (2022) follows a young French woman, Freddie (Park Ji-Min), who was adopted from South Korea. Visiting the home of her birth parents on a spur-of-the-moment deal, she also decides to track them down, and is completely unprepared for the emotional consequences. […]

Stars At Noon (2022)

One thing I love about Claire Denis as a director is her relationship with the band Tindersticks – they score most of her movies. To the point that the two movies she directed in 2022 – Stars At Noon and Both Sides Of The Blade – both featured a similar moment in their trailers where […]

Deadstream (2022)

When the hapless Shawn (Joseph Winter) lets out a squeal at the sight of a shape in the woods, I knew I was into Deadstream (2022). A disgraced streamer known for his pranks and stunts, Shawn endeavours after a six-month internet ban to reclaim his followers and satisfy corporate sponsorship by spending one night in […]