Both Sides Of The Blade (2022)

Both Sides Of The Blade (2022) is a love triangle that unfolds like a floating inevitability, like something on rippling water, bobbing towards you slowly. Directed by Claire Denis and written by Christine Angot (based on her novel), the film focuses on Sara (Juliette Binoche), a radio journalist, who is married to Jean (Vincent Lindon), […]

Beckett (2021)

I was curious about Beckett (2021) and was compelled to finally watch it on Netflix thanks to a recommendation on Letterboxd (shout-out to William Gibson’s Acronym’s Collection) and in honour of composer Riyuichi Sakamoto’s recent passing as he scored the movie with moody ambient textures and a jazzy tumble for chase scenes. Directed by Italian […]

Outside Noise (2021)

Another hour, another Ted Fendt film viewed on Mubi. Outside Noise (2021) was more accessible than the previous Fendt film I watched, Classical Period, and this film reminded me of other indie hang-out movies like Girlfriends or Funny Ha Ha. The scene that reoccurs throughout is one character asking another, “Shall we go for a […]

Return To Seoul (2022)

A character study whose style mirrors the push-and-pull of its protagonist, Return To Seoul (2022) follows a young French woman, Freddie (Park Ji-Min), who was adopted from South Korea. Visiting the home of her birth parents on a spur-of-the-moment deal, she also decides to track them down, and is completely unprepared for the emotional consequences. […]

Stars At Noon (2022)

One thing I love about Claire Denis as a director is her relationship with the band Tindersticks – they score most of her movies. To the point that the two movies she directed in 2022 – Stars At Noon and Both Sides Of The Blade – both featured a similar moment in their trailers where […]