The Novelist’s Film (2022)

I’m still reading Dennis Lim’s book about Hong Sang-soo’s film Tale Of Cinema, which is used to discuss the prolific auteur’s body of work. I’ve seen a lot of Sang-soo’s films this year, mainly due to the fact that many of them were added to SBS OnDemand. By seeing more than one of Sang-soo’s productions, […]

Anaïs In Love (2021)

Anaïs In Love (2021) played at festivals, if I remember correctly like the French Film Festival, and feels like it would have been overshadowed by The Worst Person In The World coming out in the same year. There’s a resemblance between the two leads – lithe brunette white women – and they’re both chaotic presences […]

In Front Of Your Face (2021)

I could imagine the further you delve into prolific Korean director Hong Sang-soo, a feeling of sameness might set in, or more just seeing the recurring themes, structures and approaches more clearer. A week between seeing Grass and In Front Of Your Face (2021), both currently streaming on SBS On Demand with half a dozen […]

Petrol (2023)

Petrol (2023) is a new Australian film from director Alena Lodkina. I had only caught up recently with her first, Strange Colours, which screened at Revelation Film Festival and is a father-daughter drama set in the Lightning Ridge opal mining bushlands of New South Wales, which I found to be authentic and artful, patiently compelling. […]

Both Sides Of The Blade (2022)

Both Sides Of The Blade (2022) is a love triangle that unfolds like a floating inevitability, like something on rippling water, bobbing towards you slowly. Directed by Claire Denis and written by Christine Angot (based on her novel), the film focuses on Sara (Juliette Binoche), a radio journalist, who is married to Jean (Vincent Lindon), […]