Animal (2023)

Animal (2023) is a film about work and it’s about that mid-life crisis feeling of the party leaving you behind. Director Sofia Exarchou focuses on ‘animateurs’ employed by a resort hotel on Crete; the hotel is not high class or exclusive, it looks affordable enough for older Europeans as a holiday destination. The animateurs are […]

Vulcanizadora (2024)

I’m a fan of indie director Joel Potrykus, particularly the two films I’ve seen where he collaborates with actor Joshua Burge, Buzzard and Relaxer. They’re both slacker comedies smashed into dark and surreal places, increasing anxiety and discomfort while also being funny. One inspiration for Vulcanizadora (2024) was Potrykus seeing Gerry and wanting to make his own version, delving into aspects that […]

Reflection In A Dead Diamond (2025)

What I appreciate about Helene Cattet and Bruno Forzani (Let The Corpses Tan, The Strange Colour Of Your Body’s Tears) as filmmakers is that they are fetishists. Drawing upon memories of genre cinema – a gesture, a moment, a flourish – and not simply re-creating them, but deconstructing and exploding them. With Reflection in a […]

Eileen (2023)

Eileen (2023) is a character study. It’s also about stretching out the tension. The question keeps occurring: where is all this going? It’s the mid-1960s, it’s wintery and grey Massachusetts. Eileen works as a secretary in a prison. She looks after an alcoholic ex-cop father. She has daydreams about sex, or about killing her father. As […]

Here (2023)

Two characters walk through a Belgian forest on the outskirts of the city. A shot follows one of the characters as they move, and the sound design emphasises the ambience of nature. The leaves rustling, the wind, and cracking trees. We don’t hear the human footsteps as they trudge, and as we see between bushes, […]