Let The Sunshine In (2017)

I love director Claire Denis, but I always filed Let The Sunshine In (2017) within the “I’ll get around to it” category within her filmography. I think it’s really the fault of the English title and the Hair musical associations I had in my head from it (the French title I think translates more towards […]

The Wild Pear Tree (2018)

Director Nuri Bilge Ceylan uses the three-hour running time of The Wild Pear Tree (2018) to give considerable scope to individual encounters. Sinan (Dogu Demirkol) spends a lot of the movie walking, often wandering around deep in thought, and a recurring pattern within the narrative is Sinan bumping into someone, and beginning to chat with […]

Ash Is Purest White (2018)

Wanting to explore more of Chinese director Jia Zhangke’s filmography, Ash Is Purest White (2018) intrigued me because of how it appeared. In the poster and key images I’ve seen, the film is marketed as a romantic crime movie. And yet, that’s only one third of the story. While I was watching Ash Is Purest […]

Drug War (2012)

Of the Johnnie To movies I’ve seen, they often work in a macho register like Michael Mann movies, focusing on professionals and process. As an action thriller, the main driver for Drug War (2012) is surveillance, as drug enforcement police in China get wind of a deal happening. One member of a drug syndicate, Timmy […]

Glass Chin (2014)

A friend, Adriane, first made me aware of director Noah Buschel by recommending his sports melodrama, The Phenom. Catching up with Buschel’s earlier films, I’ve been really taken by his application of neo-noir conventions and tropes within a low budget indie vision. From mannered dialogue to clearly intentionally framing and lighting, to the use of […]