Kaithi (2019)

Hearing that the Indian Tamil-language flick Kaithi (2019) was a cross between Assault On Precinct 13 and The Wages Of Fear was enough to hook me into searching it out. What I found was something that is reminiscent of both those films, but was also pitched between a Johnnie To/Milky Way film (strong premise, tense […]

Creepy (2016)

There’s a masterclass sequence in Creepy (2016) that shows off Kiyoshi Kurosawa’s command with visually increasing uneasiness. A retired detective now a college professor Takakura (Hidetoshi Nishijima from Drive My Car) is working with his former partner Nogami (Masahiro Higashide) on a cold case, a missing family who disappeared five years ago. Within the university […]

New Jerusalem (2011)

New Jerusalem (2011) takes the trope of the talkative co-worker to an intimate, thoughtful level. In a Virginian garage, two men are first seen moving tires around the driveway. Sean (Colm O’Leary) is brooding and quiet, opening up a little to the inquisitive Ike (Will Oldham). Originally from Ireland, but having served in the US […]

Yourself And Yours (2016)

This has happened before with a previous Hong Sang-soo movie where I just took the events at face value, and only later browsing other people’s reviews saw the different ways they were reading into it. Because what the film, Yourself And Yours (2016), covers is often so ordinary and everyday – people meeting at bars, […]

Before We Vanish (2017)

Yusuke Hayashi’s score for Before We Vanish (2017) – directed by Kiyoshi Kurosawa – brings to mind memories of Amblin Entertainment productions. There’s something about the orchestral sweep, its eerie tension and yet a little twinkle-in-the-eye feeling. The sound of an alien invasion movie, and with Kurosawa’s genius for creating tension and unease through blocking, framing and […]