Faces (1968)

Carousing is one word I’d used to describe the events in Faces (1968), a key John Cassavetes film I’d always be meaning to see (ever since Scorsese referenced it in his Personal Journey Through American Cinema docu-series). Self-financed from acting jobs for other movies, and shot around his own house, Cassavetes explores marriages, love and […]

Seven Days In May (1964)

After experiencing the fantastic WW2 action thriller The Train, I was keen to see more of the movies that director John Frankenheimer and actor Burt Lancaster made together. Seven Days In May (1964) was filmed in 1963 before The Train was made, but experienced a delayed release after the assassination of JFK. A political thriller […]

The Sword Of Doom (1966)

All I knew about the Japanese movie The Sword Of Doom (1966) was the iconic image of a samurai in the middle distance of a forest, submerged in fog and surrounded by bodies felled by his sword. I didn’t realise that the film’s main character was an embodiment of evil. Ryunosuke Tsukue (Tatsuya Nakadai) is […]

Castle Keep (1969)

While the posters might make Castle Keep (1969) look like a World War II action movie, it’s actually a very strange, oddball experience. Right from the opening sequence where a jeep of tired soldiers travelling through a forest is cross-cut in the editing with two stately people – a Count (Jean-Pierre Aumont) and a Countess […]

La Notte (1961)

La Notte (1961; aka The Night) is the middle of Italian director Michelangelo Antonioni’s trilogy including L’Aventura and L’Eclisse, and the one I’d always wanted to see. Antonioni’s slow, dispassionate style is intentionally alienating and difficult to wrestle with; I completely understand those who get bored by his work. Yet I do find something of […]