A Colt Is My Passport (1967)

Watching Japanese 1960s crime flicks (particularly those produced by Nikkatsu Corporation) is always an insight into how much Quentin Tarantino has ripped off them off (also Jim Jarmusch when he makes hitman movies, and I tend to think of Jarmusch a bit more just because there’s a certain level of economy shared). Then again, A […]

Alphaville (1965)

My enduring memory of Alphaville (1965) was the shot near the end of a Parisian freeway at night, the collection of lights in the darkness, a simple and low budget way of implying a future space. To travel to another galaxy as mundane as driving down a highway, yet still otherworldly in the grainy black […]

Point Blank (1967)

Lee Marvin in a series of dapper suits with a revolver in hand is enough for a 1960s neo-noir like Point Blank (1967) but the actor’s collaboration with young British director John Boorman offered them both a chance to push the crime genre into pop art experimentation. Revisiting Point Blank, it feels like Steven Soderbergh […]

Blood Feast (1963)

Herschell Gordon Lewis is a name I’ve often heard about but never really been keen to explore; the archetypal still from one of his 1960s-era movies in my mind’s eye is a leering sadist at a table where a nubile woman is submerged in shiny guts and paint-thick blood. Much like Troma cinema, I’m happy […]

Bay Of Angels (1963)

From the very first shot I knew I’d made the right decision to watch Bay Of Angels (1963; La baie des anges): it’s a shot of glamorous Jeanne Moreau standing in a street near the water at Monte Carlo, the camera immediately pulling away and racing backwards down the street. Directed by Jacques Demy, his […]