The Whip And The Body (1963)

When a film communicates two emotions happening across a character’s face, all in the one shot, the magic trick of that. In the Mario Bava directed film, The Whip and The Body (1963), there’s a tremendous close-up of the character of Nevenka (Dahlia Lavi), walking down a darkened castle hallway, approaching a door where she […]

Venus In Furs (1969)

The meeting point between exploitation demands and arthouse pretensions is ideal cinematic terrain to my mind. Base pleasures that Venus In Furs (1969) – directed by Jess Franco – offers is nudity and sex (well, what accounts for it late 1960s international cinema) with Maria Rohm nude in a fur coat with stockings and a […]

Blast Of Silence (1961)

A testament to the magic of shooting without permits. New York streets alive with commotion and people. Christmas decorations, shop displays and christmas lights. All you need is a guy with a hat and a trench-coat wandering through, shot by a camera from a car coasting along beside him. Allen Baron is the writer and […]

The Bride Wore Black (1968)

A bride – named Julie Kohler and played by Jeanne Moreau as a focused, unwavering huntress – swears revenge against the five men responsible for the murder of her beloved, shot on the steps of a church during their wedding day. Adapted from a novel by Cornell Woolrich and directed by Francois Truffaut, The Bride […]

The City Of The Dead (1960)

It’s a simple but effective trick. Works for rock shows, and it certainly works for old, black-and-white horror movies. If you don’t have the budget for set design, just pump in the smoke machine! The City Of The Dead (1960; aka Horror Hotel) gets a lot of atmospheric effect through its one major street set […]