The Big Combo (1955)

There are images in The Big Combo (1955) that are everything you want from a classic Film Noir. Opening with a woman stepping down a darkly lit corridor, backstage to a boxing match, pursued by suited figures. Later, a man in a suit wearing a hat emerges from the fog outside, stepping into a hangar to catch […]

Nightfall (1956)

For a classic film noir, I settled upon Nightfall (1956) on a whim and the opening moments of Aldo Ray browsing a newspaper stand in the evening, and flinching when the streetlights came on overhead, that hooked me in. The city lights turn on and the title card appears with the woozy theme song. There’s something poetic and […]

Night Of The Ghouls (1959)

The seance scene. When the camera focuses on Dr. Acula (Kenne Duncan) – a granite-face middle-aged guy wearing a suit and a “swami” turban – sitting at a table, and the camera moves back so that we can see three people sitting on one side, and three rinky-dink skeletons sitting on the other, I was […]

The Prowler (1951)

When I was in my adolescent phase of loving James Ellroy novels (not so much a fan anymore), I remember the crime author mentioning The Prowler (1951) as one of his favourite classic film noirs. Considering Ellroy’s past as a degenerate substance-addicted peeper before he became a writer (which he talks about in the documentary […]

Gun Crazy (1950)

Always gratifying to hear about a film for a long time that’s considered a classic, like Gun Crazy (1950) is considered a classic of film noir, and when you finally watch it, it’s so clear and apparent how great the movie is. Yes, this is a classic. Why did it take me so long to […]