Portrait Of A Young Girl At The End Of The 60s In Brussels (1994)

Shot for French TV during the nineties, Portrait Of A Young Girl At The End Of The 60s In Brussels (1994) is directed and written by Chantal Akerman, and feels semi-autobiographical. As the title indicates, Akerman sets the story in 1968 but isn’t too concerned about fidelity to the era; you can see CDs in […]

The Fifth Cord (1971)

The Fifth Cord (1971) is a visually striking giallo thriller from Italy. While there’s plenty of fashionable outfits and stylish interior decorating, there’s an emphasis on figures placed against colossal pieces of architecture, or the use of shadows against lit windows and lamplight reflected by glass. During one sequence where petals drift through the frame […]

Tale Of Cinema (2005)

Tale Of Cinema (2005) is the second film I’ve seen by the prolific South Korean director Hong Sang-soo and apparently this is the first one where he started using zooms? A scene will be playing out in a master shot and then the camera will zoom in, resetting the frame, almost haphazardly and amateurish, but […]

American Harmony (2009)

As a documentary about barbershop quartet competitions, you can file American Harmony (2009) under the sub-genre of “I can’t believe it’s not a Christopher Guest movie!” I can’t say barbershop quartet is my favourite type of music, but you get all the different people devoted to the ole timey stylings, from the fans to the […]

Sympathy For Mr. Vengeance (2002)

Something about Song Kang-ho’s face – as a presence he emits an innate likeability and charm. The guy has range, of course, and it’s always compelling when a likeable film presence plays someone whose actions are considerably unlikeable. Sympathy For Mr. Vengeance (2002) is the first of the unofficial “Vengeance” trilogy from South Korean director […]