Mike’s Murder (1984)

We don’t see the murder. Director and writer James Bridges apparently filmed one, and it was part of the negative test screenings that forced him to re-edit and structurally rearrange Mike’s Murder (1984) before its release. The original intention with Mike’s Murder was a film that was subjective with dream sequences and flashbacks; what was […]

Please Baby Please (2022)

Director-writer Amanda Kramer’s Please Baby Please (2022) reminded me of discovering Johnny Suede on SBS when I was young. The discovery of an arthouse American indie cinema morphing together the past and the present, a receptacle for a filmmaker’s fetishes. Empty alleys or street facades. Apartment interiors on a studio set. Creating a whole situation to let make-up, hair, […]

Sparrow (2008)

Movies in love with the movies. Hong Kong director Johnnie To began making Sparrow (2008) over three years in between other projects, most of them crime movies about cops and/or gangsters like Election and Exiled. There’s an element where it feels like Sparrow was another lane to escape to, and even though it is still […]

Matt And Mara (2024)

Mumblecore gets a bad rap. I assume it’s the name, which most of the filmmakers lumped into that sub-genre didn’t care for. And don’t get me wrong, some of those movies are annoying and bad. Friends and I who got into those films were mainly responding to Andrew Bujalski’s first two films. Cassavetes was an […]

Benediction (2021)

Benediction (2021) was British director Terence Davies’ final film before he died in 2023. Experiencing it after recently seeing his first film, Distant Voices, Still Lives, was very interesting with their intersections. Distant Voices, Still Lives is an autobiography by Davies of his family growing up in working class Liverpool. In contrast, Benediction is a […]